A Part
An African man
In a U.S. Army coat
Pulls on his cheap cigar
In the trees
In a park
His back to a cemetery wall
Made mostly of mortar
Not so much of stones
In the tepid night
In Tel Aviv
Skyscrapers just to the east, but
So close to the beach
I can feel the sea
Pushing and pulling
The Earth
And he speaks to me
In Arabic or French
Something weary but pleased
Baritone
And romantic
Having just received
The most sincere efforts
Of the insides
Of my mouth.
He looks into the far sky
Perhaps high
Idealistic
An oft-defeated fighter
For some unquestionable kind of freedom
And I say back to him
Stupidly
"American. I speak English."
"Ah," he merely said
Nodding slowly
As if he should have known before
And our hearts
Both sank
Into pity, to
Dull
Dissatisfaction.
In the moment, in the place
In the single time and space
Where coexistence
Was forever manifest, where
All was right here, every
Variation
Compounded and complete
Natural, full
Sharp, pristine, and clouded
Flawless, filthy, fantastical and real
I am only the audience
Forever a witness
Is all.
I will never
Be a part
Of Heaven.
by Coke Brown Jr. -
as posted on Coke's Croaks -
www.cokescroaks.com
Tuesday, April 13, 2010
A Part
Labels:
America,
art,
beauty,
dullard,
experience,
gay,
Israel,
memory,
opportunity,
romance,
self-consciousness,
self-worth,
sex,
sophistication,
travel,
urbanity
Saturday, April 10, 2010
Why I’m Hateful Sometimes
Why I’m Hateful Sometimes
Because I’m Bo Diddley or
Robert Johnson or at least
Eric Clapton, but I’m
The only one who knows it and
Because you’re Carol Burnett or
Phyllis Diller or at least
Mo’Nique, but
You don’t mind.
Because I’m
A stationary vagabond
And you’d fall apart
If you pratfell.
Because my heavy lifting
Is behind me, maybe, but
You haven’t finished
Procrastinating:
We were both thrown in the lake, naked and infantile, but
I swam to shore while
Everyone pushes her boat out again
To get you.
Because you’re never unhappy
In my estimation, but
I’m everything and that and always
In yours.
Because everyone sees that
Sometimes I’m creepy, but
Only I know
That you are, too, a zombie friend.
Because I argue with the radio like an old, old man -
I want them to do it right, dammit, and
You just
Never switch it on.
Because you don’t remember
And I can’t forget;
You imagine starshine from the black hole when
It’s just, plain, empty.
Because you’re in the moment, and
I’m in next week, even when the
Visibility
Is zero.
Most of all,
I hate you
Sometimes
Because
You’re at your house,
I’m at mine,
That’s what we decided, and
At the crossroads
I can be both
Satan
And myself;
You’re asleep in your armchair
In your bunny slippers,
Maybe never
Having
Nightmares.
by Coke Brown Jr. -
as posted on Coke's Croaks -
www.cokescroaks.com
Because I’m Bo Diddley or
Robert Johnson or at least
Eric Clapton, but I’m
The only one who knows it and
Because you’re Carol Burnett or
Phyllis Diller or at least
Mo’Nique, but
You don’t mind.
Because I’m
A stationary vagabond
And you’d fall apart
If you pratfell.
Because my heavy lifting
Is behind me, maybe, but
You haven’t finished
Procrastinating:
We were both thrown in the lake, naked and infantile, but
I swam to shore while
Everyone pushes her boat out again
To get you.
Because you’re never unhappy
In my estimation, but
I’m everything and that and always
In yours.
Because everyone sees that
Sometimes I’m creepy, but
Only I know
That you are, too, a zombie friend.
Because I argue with the radio like an old, old man -
I want them to do it right, dammit, and
You just
Never switch it on.
Because you don’t remember
And I can’t forget;
You imagine starshine from the black hole when
It’s just, plain, empty.
Because you’re in the moment, and
I’m in next week, even when the
Visibility
Is zero.
Most of all,
I hate you
Sometimes
Because
You’re at your house,
I’m at mine,
That’s what we decided, and
At the crossroads
I can be both
Satan
And myself;
You’re asleep in your armchair
In your bunny slippers,
Maybe never
Having
Nightmares.
by Coke Brown Jr. -
as posted on Coke's Croaks -
www.cokescroaks.com
Labels:
comedy,
hate,
jealousy,
Love,
ltr,
move and rest,
relationship,
the blues
Saturday, April 3, 2010
Magical Reality in the Carolinas
Magical Reality in the Carolinas
Magical reality
In the Carolinas
Is not
The same as the Southwest.
Hillerman’s is dry, emaciating heat
And the other
Is dank, dripping, growing,
Moldy.
There is not so much dying
In Charleston
As there is always
Illness,
Putrid, rotting, festering, spreading
Suffering.
The central Atlantic coast is not about
Earthly murder and holy spirits
But about resurrection, about
The living dead,
Not about hot, spiraling, rising mirages,
Wafting hallucinations,
But about the commingling
Of hanging white smoke and sharp flames,
Hellish
Blessings.
In the desert
You can see the evil
And the enlightenment
From a mile away.
In the swamp
The things swim
Below the surface,
Bloated from their bites
Of the bodies
And the minds.
by Coke Brown Jr. -
as posted on Coke's Croaks -
www.cokescroaks.com
Magical reality
In the Carolinas
Is not
The same as the Southwest.
Hillerman’s is dry, emaciating heat
And the other
Is dank, dripping, growing,
Moldy.
There is not so much dying
In Charleston
As there is always
Illness,
Putrid, rotting, festering, spreading
Suffering.
The central Atlantic coast is not about
Earthly murder and holy spirits
But about resurrection, about
The living dead,
Not about hot, spiraling, rising mirages,
Wafting hallucinations,
But about the commingling
Of hanging white smoke and sharp flames,
Hellish
Blessings.
In the desert
You can see the evil
And the enlightenment
From a mile away.
In the swamp
The things swim
Below the surface,
Bloated from their bites
Of the bodies
And the minds.
by Coke Brown Jr. -
as posted on Coke's Croaks -
www.cokescroaks.com
Labels:
death,
dreams,
drugs,
illness,
literature,
magical realism,
mental health,
religion,
U.S. regions
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